|Ana Bayat Photo: Bob Hsiang|
Written and performed by Ana BayatDirected by Elyse Singer
Theatre of Yugen at NOHSpace, San Francisco
Until Jan 25, 2020
Reviewed by Christine Okon
Our stories are prized possessions that we may or may not keep hidden in our own baggage that sometimes weighs us donw. In her autobiographical solo show “Mimi’s Suitcase,” Ana Bayat unpacks her experiences as an Iranian teenager dealing with radical changes to her country and herself. Initially coached by W. Kamau Bell, Bayat has honed and polished “Mimi’s Suitcase” over the years, bringing it to audiences around the world and winning prizes at many festivals.
"Mimi’s Suitcase"is the story of a girl growing up, facing the challenges to individuality and resilience any girl encounters coupled with the added stress of a country flipped upside down by revolution.
|Ana Bayat Photo: Diaspora Arts Connection|
Born in Iran in a time of freedom for women and cultural expression, Mimi spends a happy childhood in Barcelona while her father pursues his wild dream of a Hollywood career that never pans out. Forced to return to Tehran for economic reasons after the 1979 Islamic Revolution, Mimi and her family stepped into an alternate universe that prohibits any Western influence and punishes women for seemingly trivial acts such as not covering their heads. Like any teenage girl who just wants to have fun, Mimi is shocked but still stays rebellious as she and her friends secretly listened to forbidden music by Madonna, Duran Duran, Michael Jackson, and other Western media, showing that joy may be underground but not killed.
Bayat’s story is as rich, diverse, and entertaining as the 27 different characters she fluently voices in four languages (English, Spanish, French and Persian/Farsi) with English supertitles. She celebrates her comedic and dramatic range as she captures the intonations, faces, and gestures of girlfriends chatting about a cute boy to the police officer who pounds threateningly on the door. Bayat moves from scene to scene effortlessly, and we’re right there with her.
Video projections (Tyler Gothier) and animations (Celine Moteau) enhance the stage in some scenes, adding to the visualization of Mimi’s life; in the home movie clip of her father astride a white stallion in an urban environment, he seems to be saying “no matter where you are, Mimi, you always have your dream.”
Although polished to a bright shine, "Mimi’s Suitcase" draws on the audience’s energy to deepen its impact and meaning, and like life itself, is a work in progress.
"Mimi’s Suitcase," written and performed by Ana Bayat, directed by Elyse Singer. Theatre of Yugen at NOHSpace, San Francisco, through January 25, 2020. Info: https://www.anabayat.com/mimissuitcase