Tuesday, April 2, 2019

What Would Helen Do?


Leticia Duarte and Adrian Deane Photo: Devlin Shand

By Ellen McLaughlin

Directed by Shannon R. Davis

Theatre of Yugen
2840 Mariposa St. San Francisco 

Until April 27, 2019 (Fri-Sun)

Reviewed by Christine Okon

In Ellen McLaughlin’s modern spin on Euripides’ classic play about the legendary and iconic beauty, the main character in Helen paces like a bored Hollywood star anxious for a callback in a lavish Egyptian hotel suite with nothing to do except swat flies, tend to her beauty regimen, and wait...for what? For news? For rescue? She herself does not know.

In this production of Helen, Theatre of Yugen steps beyond McLaughlin’s script to widen the palette of race and gender identity to explore the challenges of image vs. reality.  Director Shannon R. Davis taps into the skills of her diverse cast, a fusion of Asian, White, Native American, and non-binary gender actors, to bring us a fun, fast-paced, surprising whirl of interactions that move faster than preconceived notions can dry.

Remote and isolated from the warring world of Troy, Helen’s exposure to reality is limited to what she sees on the insipid and limited room television. She craves hearing stories from her dutiful, sardonic and somewhat bored servant (played with detached and often hilarious wit by Leticia Duarte). As Helen, Adrian Deane navigates moments from selfish obliviousness to the shaky self-doubt that can lead to change.

Helen Wu and Adrian Deane Photo: Devlin Shand

Helen receives her first visitor in Io whom the jealous Hera had turned into a cow. Helen Wu brings a carefree giddiness to this character in a delightful fur-and-glitter outfit, complete with cute floppy ears, that was collaboratively designed by Ariel Quinell-Silverstein, Davis, and Wu to connote both royalty and whimsy. After a fun but shallow chat with Helen, Io exits via the "elevator" that dings offstage.

Adrian Deane and Steven Flores Photo: Devlin Shand

Later, Athena, goddess of war and wisdom, barges in to remind Helen of the damage she has caused civilization. In a fantastic and exciting costume that transcends gender (perhaps inspired by Burning Man, Braveheart or Game of Thrones?), Athena (played with true warrior spirit by Stefanie Foster) forces Helen to take a hard look in the mirror to realize her limitations.

Shaken, Helen’s certainty about her identity and beauty further dissipates when she gets no help from her final visitor and perceived rescuer-husband Menelaus, played by Steven Flores with the tortured intensity of a universal soldier damaged by every war from ancient times to the present.

Adrian Deane and Steven Flores Photo: Devlin Shand

Coming to terms at last with her limitations, Helen is challenged by the wise servant to risk leaving the room into the unknown world that may or may not lead to the discovery of her own story. What does she do?

In its recent expansion of scope beyond traditional Japanese theater  to include more culturally diverse and international stories, Theatre of Yugen has succeeded in infusing this Helen with real energy and relevance.

By Ellen McLaughlin
Directed by Shannon R. Davis

Theatre of Yugen at NOH Space
2840 Mariposa St. San Francisco 
 (415) 621-0507

Until April 27, 2019
Fridays 8pm, Saturdays 8pm, Sundays at 1:30pm
Saturday, April 20 & 27 also at 1:30pm

GA Tickets - $30 
VIP Tickets - $40 (includes drinks)
Student Discount - $15 with valid ID
Contact the Box Office for more details:
(415) 621-0507 | boxoffice@theatreofyugen.org

Helen - Adrian Deane
Servant - Leticia Duarte
Menelaus - Steven Flores
Io - Helen Wu
Athena - Stefani Potter

McKenna Moses (Production Manager/Stage Manager)
Ella Cooley (Sound Design)
Ariel Quenell-Silverstien (Costume Design) 
Miranda Waldron (Light Design)

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