Wednesday, April 10, 2019

These Roots Are Strong and Deep


In Old Age


Nancy Moricette as Abasiama Udot Photo: Jennifer Riley

written by Mfoniso Udofia
directed by Victor Malana Maog

Magic Theatre, Fort Mason, San Francisco

Until April 21, 2019

Reviewed by Christine Okon

In Mfoniso Udofia’s In Old Age, a dilapidated house is indeed one of three characters with the elderly occupant Abasiama Ufot (Nancy Moricette) and the middle-aged Southern-born handyman Azel Abernathy (Stephen Anthony Jones).

Nancy Moricette Photo: Jennifer Riley

In a darkened living room with a pictureless television playing gospel music, a figure is cocooned in a pile of blankets on a worn couch. Insistent knocking on the front door stirs Abasiama to get up and warily shuffle to investigate the unexpected visitor. It turns out that Abasiama’s daughter had hired Azel Abernathy through the church to repair her mother’s house, starting with the floors.

Nancy Moricette brings a frail but unstoppable stubbornness to this elderly Nigerian matriarch. She’s “African AND old,” as Azel later comments, explaining Abasiama’s quirkiness of living in the modern world while connecting to unseen but palpable spirits. Like a deep-rooted baobab tree, the old house grips Abasiama in a tangle of unhappy memories of subjugation, dissatisfaction, and misery. She still argues with husbands who have since died, but whose "random stuff" shrinks her personal space so much that she retreats to the safety of the couch. The walls shudder and bang with loud thuds that are real as verbal threats to Abasiama, but she manages to hold her own.

Stephen Anthony Jones as Azel and Nancy Moricette at Abasiama Photo: Jennifer Riley

Azel comes to work on the floor over a period of days. When Abasiama asks several times “What kind of man are you?” he is at first puzzled and somewhat annoyed, but the question plants a seed in his mind. Stephen Anthony Jones creates an amiable but complex and conflicted Azel who, as he replaces each worn wooden plank with new cherrywood, learns more about himself and the cantankerous Abasiama who grows more and more alive and engaged.

Playwright Udofia reaches beyond the verbal layer of language into the realm of the heart. One person’s noise is another’s meaning. A thud to one is a scream to another. In a moving scene where Azel and Abasiama voice each other’s secret thoughts, we are invited to listen in a new way, too.

Nancy Moricette and Stephen Anthony Jones Photo: Jennifer Riley

Lighting (York Kennedy), Sound (Sara Huddleston) and Set (Andrew Boyce) designs are essential to the story, moving us from a cluttered abode of loneliness to a simpler space of hope. Sometimes it was hard to understand Abasiasma’s heavily accented words or to see past a wicker laundry basket blocking the action. Despite these minor distractions, In Old Age is a beautifully crafted and directed play that weaves gold thread from ancient roots into a modern, intricate and rich garment.

In Old Age

written by Mfoniso Udofia
directed by Victor Malana Maog+

Magic Theatre
Fort Mason, San Francisco

Until April 21, 2019
Run Time: 1:45 (No Intermission)
415.441.8822
boxoffice@magictheatre.org

CAST
STEVEN ANTHONY JONES*
Azel Abernathy

NANCY MORICETTE*
Abasiama Ufot

* Member of Actor’s Equity Association

CREATIVE TEAM
Set Design - Andrew Boyce**
Costume Design - Courtney Flores
Lighting Design - York Kennedy**
Sound Design - Sara Huddleston

**Member of United Scenic Artists local 829

+Member of Stage Directors and Choreographers


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