Tuesday, September 25, 2018

A Dark dirty butterfly at Anton's Well

dirty butterfly

Written by debbie tucker green
Directed by Robert Estes
Anton’s Well Theater Company
antonswell.org

At Waterfront Theater, 2020 Fourth St, Berkeley
Until October 7, 2018


In the play dirty butterfly, three characters living separately in a building with very thin walls share a psychic space that is electric with the dark energy of domestic violence.
Jesse Vaughn and Kim Donovan
Jason, a timorous, isolated neurotic with his ear glued to the wall, suffers from second-hand trauma from what he overhears. Amelia, self-contained and straightforward, chooses to protect her boundaries by trying to not get involved. And Jo, the victim of abuse, nevertheless resents the perceived intrusion of her neighbors until she is forced to take desperate action for her own survival.

Jesse Vaughn as Jason

dirty butterfly is an intriguing but disturbing and confusing study of the decisions we must make to watch, engage in, or ignore what others are enduring. Paranoia, rage, compassion and indifference both inform and spring from these decisions.

The minimal set suggests that no matter how we build our personal walls, we are exposed. The characters are skillfully brought to life by Mikah Kavita as the steadfast Amelia, Jesse Vaughn as the somewhat pathetic jason, and Kim Donovan as the abused victim Jo, but none is especially likable. All have British accents, but it is interesting to imagine it in American dialect.
Mikah Kavita as Amelia
Director Robert Estes is to be commended for bringing to light yet another relatively obscure play to Anton's Well Theater Company, taking on the challenge of unprecedented interpretation.

Seeing dirty butterfly is like passing an accident on the freeway: you’re curious and perhaps concerned, but what happens if you get involved?


dirty butterfly
Written by deborah tucker green


Cast
Jo - Kim Donovan
Amelia - Mikah Kavita
Jason - Jesse Vaughn

Creative Team
Director - Robert Estes
Assistant Director/Producer - Wm. Diedrick Razo
Lighting Designer - Bert van Aalsburg
Costume Designer: Helen Slomowitz
Sound Designer: James Goode
Stage Manager - Ayumi Namba

Photography: Jane Shamaeva


Thursday, September 20, 2018

Young Jean Lee's Existential Church

Church

Written by Young Jean Lee
Directed by Mira Morita

Crowded Fire Theater Company
September 13-October 6, 2018
The Portrero Stage, 1695 18th Street
San Francisco, CA , 94107


Say you have a friend that invites you to attend her church, and you agree out of politeness or curiosity. You go along, not knowing what to expect except the usual rote hymns, rituals and perhaps boredom. Then, SURPRISE!
Reverend Jose (Lawrence Radecker) preaches it

The unsuspecting audience, full of the charged anticipation of theater-goers, files into the small Portrero space where Crowded Fire is presenting Young Jean Lee’s play Church. The lights dim and everyone hushes up. We wait in the dark. And wait. Until we hear the calm yet unsettling voice of a man we later learn is “Reverend Jose” (Lawrence Radecker) who begins to tell us stories, stories that slowly chisel away to reveal our own insecurities, failings, foibles, weaknesses and pushes us to the brink of discomfort and possibly the Void.  Finally, to our sense of relief, the lights go up.

Nkechi Emeruwa, Alison Whismore, Jordan Maria Don, "Reverends"
We meet three women (Nkechi Emeruwa, Jordan Maria Don, and Alison Whismore), all designated as "Reverend." They exude a wild, contagious energy and fervor as they bring a weird sort of order with prayers of intention, the laying on of hands, the revved-up, roof-shaking shared experience. We listen to their stories even as they veer into the absurd and frighteningly graphic (perhaps familiar to many who were raised Catholic). The energy rises to maximum level, and we don’t know what is being believed but we go along with it, jumping up and down.

Invitation to the dance...

What’s the alternative? Twist in the winds of your own despair and meaninglessness?  Or believe, brother, believe? Raise your voice and rejoice, scream at the void, does it matter if you understand why? In his book The Denial of Death, Ernest Becker writes “Religion takes one’s very creatureliness, one’s insignificance, and makes it a condition of hope.” As more and more singers bound onto stage clapping and dancing to the spiritual “Ain’t Got Time to Die” in this "church," you have your own decision to make.

Church

CAST
Jordan MarĂ­a Don, Nkechi Emeruwa, and Alison Whismore as the Reverends
Lawrence Radecker* as Reverend Jose

PRODUCTION
Assistant Director: Nailah Harper-Malveaux*
Dramaturg: Sonia Fernandez*
Assistant Dramaturg: Isabelle Smith
Stage Manager: Rachel Mogan*
Assistant Stage Manager: Kitty Dacy
Scenic Designer:  Randy Wong-Westbrooke
Costume Designer: Alice Ruiz
Lighting Designer: Cassie Barnes
Sound Designer: James Ard*
Choreographer: Mark Allen Davis
Music Director: Min Kahng

*Crowded Fire Resident Artist

Tuesday, September 18, 2018

A Sparkling Diffraction of Stories and Spirit

For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf

Written by Ntozake Shange
Directed by Elizabeth Carter
September 15-29, 2018

African-American Shakespeare Company
Taube AtriumTheater, 401 Van Ness Avenue

Ntozake Shange’s 1975 choreopoem For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf lives again in a remarkable new production directed by Elizabeth Carter that bursts, vibrates and sings its stories of loss, joy, pain, strength and most of all, resilience.

Natasha LaGrone, Bobbi Kindred, Tiffany Tenille

Seven unique characters are simply named “Lady in Brown” (Jan Hunter), “Lady in Yellow” (Tiffany Tenille), "Lady in Purple" (Bobbi Kindred), "Lady in Red" (Paige Mayes), "Lady in Green" (Brittany Nicole Sims), "Lady in Blue" (Natasha LaGrone), and "Lady in Orange" (Regina Monique). Each speaks the rich and musical monologue that is their story, each voice a thread that interweaves with the others to create a strong fabric of power and pride.

Tiffany Tenille, Jan Hunter, Regina Monique, Bobbi Kindre

This is a simple, elegant production in the newly restored Taube Atrium Theater, and the creative collaboration of the all-female cast and production crew is evident. The lighting design by Stephanie Anne Johnson subtly suggests a cityscape, and the set design (Randy Wong-Westbrooke) uses moveable frames for each Lady to act as portals, cages, islands, and personal stages for the stories. The minimal set suggests that it is the stories that endure, despite the time and place.

Paige Mayes and Tiffany Tenille

Choreographer Kendra Kimbrough Barnes taps into the rhythm of emotion that informs this play, adding depth to the stories. Especially beautiful are the sensual and flowing dances by Lady in Red (Paige Mayes) and Lady in Yellow (Tiffany Tenille).

After the show, a male audience member was moved to tears, saying “I didn’t know what women had to go through.”

Support from the sisters

Although created in the 70s, For Colored Girls... remains a classic celebration of the hearts and souls of black women--and all women---as they struggle to find and celebrate their voice.

Weaving the stories


For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf

CAST
Jan Hunter — Lady in Brown
Bobbi Kindred — Lady in Purple
Natasha LaGrone — Lady in Blue
Brittany Nicole Sims — Lady in Green
Regina Monique — Lady in Orange
Tiffany Tenille — Lady in Yellow
Paige Mayes — Lady in Red

PRODUCTION TEAM
Director — Elizabeth Carter
Set Designer — Randy Wong-Westbrooke
Lighting Designer — Stephanie Anne Johnson
Costume Designer — Nikki Anderson-Joy
Production Manager & Stage Manger — Leontyne Mbele-Mbong
Design Execution — Kate Boyd
Sound Designer — Lana Palmer
Choreographer — Kendra Kimbrough Barnes

Wednesday, September 5, 2018

West Side Story Still Keeping It Cool

West Side Story

Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Book by Arthur Laurents; concept by Jerome Robbins


Directed by Erica Wyman


Hillbarn Theatre
1285 E. Hillsdale Blvd., Foster City, CA 94404
1.650.349.6411
boxoffice@hillbarntheatre.org


Until September 16, 2018


Reviewed by Christine Okon

Tucked on a quiet side street in Foster City, CA is a gem of a venue, The Hillbarn Theatre, now celebrating its 78th season with West Side Story, the perennial musical set in 1950s Manhattan and made memorable by the 1961 movie with Natalie Wood.

Directed aptly by Eric Wyman, this production shows that there is nothing like live theater to create a visceral experience made even more intimate by Hillbarn’s close arrangement of stage and seating.

All of the performances are solid, but the special gift is Ana Paula Malagon as Maria, with her beautifully trained operatic voice that fills the entire space with the spirit of the lovable and vulnerable young woman who is ready to open her heart to love. Maria is schooled in the ways of the world by the older Anita (Danielle Philapil) who brings a powerful sensuality that deepens the pulse of what would otherwise be a simple boy-meets-girl tale. The fierce duet of Anita and Maria ignites with the anger of "A Boy Like That," melting into the mutually felt truth of "I Have a Love."

Anita (Danielle Philapil) and Bernardo (Jorge Diaz) at the Big Dance
When Maria meets good guy Tony, sweetly played by Bay Area favorite Jeffrey Brian Adams, we believe in the power and possibilities of love, expressed beautifully in "One Hand, One Heart." Adams is no stranger to the difficult vocal range demanded by songs like "Something’s Coming" and "Maria," and his convincing connection with Maria makes us want to protect the young lovers from the harshness they are bound to encounter.

Maria (Ana Paula Malagon) and Tony (Jeffrey Brian Adams)

Kimberly Horvath’s choreography, in the spirit of Jerome Robbins, is innovative and sparkling: from the way the finger-snapping Jets slink together like a jungle animal on the prowl, to the beautiful pas de deux of dancers Angela Curatto-Pierson and Neil Rushnock as they act out the yearning for universal peace and place of "Somewhere," sung beautifully in a haunting solo by Danielle Chelken as Rosalia.

Ready to Rumble

The ensemble of Jets, Sharks and their women works great together yet manages to reveal distinct personalities that add touches of humor and contrast. Richard Ames plays a very likable, calm Doc, and Josiah Frampton and Jorge Diaz bring strong machismo to Riff and Bernardo, respectively. Detective Schrank (Marty Lee Jones) was sometimes hard to hear, and with the drab grey trench coat did not come across as the tough arm of the law. The live orchestra led by Rick Reynolds carried the score adequately, complete with bongos, although some of the woodwinds strayed a bit.

All in all, this production of West Side Story is “okay by me.”


West Side Story
Hillbarn Theatre
www.hillbarntheatre.org
1285 E. Hillsdale Blvd., Foster City, CA 94404
1.650.349.6411
box office@hillbarntheatre.org

CAST 

Maria - Ana Paula Malagon
Tony - Jeffrey Brian Adams*
Anita - Danielle Philapil
Bernardo - Jorge Diaz
Riff - Josiah Frampton
Doc - Richard Ames

Velma - Rachelle Abbey
Pepe - Armand Akbari
A-Rab - Luke Arnold
Minnie - Christine Baker
Glad Hand - David Blackburn
Officer Krupke - Shawn Bender
Rosalia/Somewhere Solo - Danielle Cheiken
Teresita/Dream Ballet - Angela Curotto-Pierson
Chino - Jose Gallentes
Baby John -Tucker Gold
Diesel - Tyler Harding
Schrank - Marty Lee Jones
Estella - Allie Lev
Anxious - Joseph Macadaeg
Anybodys - Katie Maupin
Luis - Carlos Nunez
Glad Hand - Randy O’Hara (opening weekend only)
Francisca - Fiona O’Neill
Pauline - Catherine Rieflin
Big Deal/Dream Ballet - Neil Rushnock
Action - James Schott
Snowboy - Jack Swartz
Consuelo - Catherine Traceski
Indio - Victor Valasquez
Graziella - Breanna Van Gastel

CREATIVE STAFF
Director - Erica Wyman
Music Director - Rick Reynolds
Choreographer - Kimberly Harvath
Costumes, Hair & MakeUp - Raven Winter
Scenic Design - Ting Wang
Lighting Designer - Pamila Z. Gray
Properties Designer - Phyllis E. Garland
Master Carpenter - Eric Olson
Sound Designer - Grant Huberty